Co-Composer Co-Composer Co-Composer Additional Music Additional Music Additional Music Additional Music Additional Arrangements Score Producer Music Supervisor Music Production Services Conductor Orchestrator Orchestrator Orchestrator Orchestrator Song Producer Music Editor Additional Recordings Score Recordist Music Recording Assistant Technical Score Engineer Technical Score Engineer ProTools Engineer Musician Vocals Assistant to Hans ZIMMER Assistant Music Editor Assistant Score Mixer Studio Manager BOOKLET CREDITS 'It's On Again' Performed by Alicia Keys feat. Your name: Please enter number: 1218 Edmund Meinerts 2018-02-26 15:31:16 Yeah? 2014 was the year Hans decided to stop composing? The year he composed every single cue of Interstellar on his own, without any help? Znaki opasnosti gost vektor in 1. You sure about that one?

Edmund 2018-02-26 15:50:54 Hey, ass-buddy, the argument was that 2014 was when HZ stopped giving a shit and went on a band tour. The Zimmer Emblyplicon 2018-02-26 16:00:40 Name one good Zimmer score since 2014 - even a semi decent one. Maxim Vlasov 2018-02-26 16:04:16 Interstellar! Edmund Meinerts 2018-02-26 16:09:37 Chappie.

(More 'semi-decent' than 'good', but still) Otherwise I'd actually be forced to agree with you, it's been relatively slim pickings these past few years. Both in terms of the quality of the music and the lack of composing hours Hans has been putting in thanks to the tour. Maxim Vlasov 2018-02-26 16:15:05 Also Winter's Tale! Mpolonest123 2018-02-26 16:23:55 Chappie/Kung Fu Panda 3/Hidden Figures Edmund Meinerts 2018-02-26 16:47:16 I guess the 'problem' with our listing these scores is that for a lot of them Hans played only a minor or supporting role.of the ones we've listed Chappie is the only one that feels to me like it's guided by his musical personality and even that has a lot of Mazzaro/Andrew K. As for the others, Winter's Tale is largely an RGW score, KFP3 had Balfe/Mounsey do a lot of heavy lifting (albeit with a few strong solo Hans cues like 'Jaded') and Hidden Figures.well, I have no real idea what's up with Hidden Figures, but to my ears it's some combination of Wallfisch and Pharrell with Hans coming in a distant third. The last really personal-feeling score from Hans that was also actually good was indeed, for me, Interstellar. Mpolonest123 2018-02-26 17:07:58 I’ll even throw Woman in Gold in there, far more underrated than most people give it credit for.

@Edmund That is true, but considering the concert tour it’s understandable that Hans took a backseat to the others. And, to be fair, this is something He has always done. Look at the 5-6 years where Lorne Balfe was basically what Wallfisch is now, especially with Sherlock/Inception/Megamind. Edmund Meinerts 2018-02-26 17:34:53 True, but for all that Balfe did a huge amount of work on Sherlock and Inception (to the point that he's basically a co-composer, not just additional music), I still feel as though the general sound, atmosphere, direction, themes etc.

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Of those scores come from Hans' voice. They feel authentically 'his' in a way that KFP3 or Boss Baby or Hidden Figures don't. And yeah, I realize it's largely because of the tour.

And I'm glad he's touring! I got to see him myself and it was fantastic. But I'm also looking forward to him returning to full-time composition. Lol 2018-02-26 19:02:39 BvS (Complete) and Inferno are alright to listen to Ian 2018-02-26 21:51:19 @lol - I don't intend this as a personal attack at all, but IMHO Inferno is garbage; almost all of the best cues are reprises of existing themes, and there are *maybe* ten minutes of good new material on the whole OST (I agree with Clemmensen at Filmtracks that Venice is a solid new cue and would have made for a much better model for the whole score than did the obnoxious synth stuff).

And I say all of this as someone who adores DVC and A&D, and who has come to like Chappie; the former two scores are just vastly better in every way, and Chappie is stylistically similar to Inferno while being far more competently handled. But yeah, I think BvS is an unduly vilified score, which actually shows Zimmer at something near his best (at least if you throw out the sound design shit): big, heavily thematic, energetic etc.

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I think it's obvious he genuinely cared a lot about that film/score. Mpolonest123 2018-02-26 22:54:11 Inferno is disappointing not because it took a synth-heavy route, but because it brought nothing new to the table.