Accompanying video to our ACM SIGGRAPH/Eurographics Symposium on Computer Animation 2013 technical paper entitled: 'Geodesic Voxel Binding for Production Character Meshes'. Authors: Olivier Dionne and Martin de Lasa Preprint available at: Abstract: We propose a fully automatic method for specifying influence weights for closed-form skinning methods, such as linear blend skinning. Our method is designed to work with production meshes that may contain non-manifold geometry, be non-watertight, have intersecting triangles, or be comprised of multiple connected components. Starting from a character rest pose mesh and skeleton hierarchy, we first voxelize the input geometry.

The resulting voxelization is then used to calculate binding weights, based on the geodesic distance between each voxel lying on a skeleton “bone” and all non-exterior voxels. This yields smooth weights at interactive rates, without time constants, iteration parameters, or costly optimization at bind or pose time. By decoupling weight assignment from distance computation we make it possible to modify weights interactively, at pose time, without additional pre-processing or computation. This allows artists to assess impact of weight selection in the context in which they are used. Cast: and Tags:,,,,,,.

To expand the area of the central planets, move one of the central planets to the left. You can shift planets vertically by half the cell’s height. While moving, a semitransparent target appears on the screen, showing a point the planet will fall into upon movement completion. Tip: to make sure that the program does not confuse planet movement with intent to change a view (horizontal swipe), start moving the planet vertically (up or down). Klyuch k programme astrofd download. When selecting such positions, the target is displayed in a lighter tone.

I have literally JUST started, so this is very basic and my understanding quite shaky, but even after a day, I'm thrilled to make a simple Push deformer. Its exciting to think that any tool made in Splice can be used in Maya, Softimage, or any other splice enabled DCC. I'd encourage anyone to learn this, as its not as hard as perhaps I make it look.

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With my current feeble knowledge, I'm willing to do my best to help anyone keen to learn. Hopefully from this simple start. It will develop into some cool tools over the next few months.

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If you can do ICE. This is very similar, but just presented in a different way. The cool thing is that Fabric seems to be heading toward a more ICE like way of doing things, but I think its great to understand the code behind it, and KL so far, seems MUCH easier to learn than python in XSI. Apologies in advance to the Fabric team for any potenital misinformation.

I'm hoping that this is doing more good than harm Cast: Tags:,,. Client: Nowness.com Director: Lucy McRae Body Architect, Artist and Director Lucy McRae teamed up with us again to finalize the grade and online for her latest film which launched on Nowness. Lucy says: “I have no doubt that we will be eating cosmetics and using colour-changing skin technology. The fashion and pharmaceuticals market will merge, as fashion and technology is doing now.” We have no doubt this talented director will continue producing outstanding work and we look forward to collaborating with her again. Cast: Tags:,,,,,,,,. This is a project-based tutorial oriented to ICE users and following how they can adapt some of their techniques to Houdini. Thanks to Mark Schoennagel for his support.